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Reviews
Bach, Well Tempered Clavier Book 1, Jill Crossland, Signum Classics
"….gorgeously captured by Jonathan Haskell's engineering" - Gramophone
"I also revelled in Jonathan Haskell's achievement in recording the Piano so faithfully - mellow upper tones, rich bass, magisterial resonance in louder passages" - The Classical Source
"...sound is cool, clear, & deep with a wonderful sense of space" - American All Music Guide
Clarke, The Miraculous Violin, Peter Sheppard Skærved / Longbow, Naxos
"The recording is so fine it could be used in demonstration situations" - Musicweb
"Very cleanly detailed sound" - David's Review Corner
Artists Testimonials (unsolicited)
'BRILLIANT RECORDING. You have done such a wonderful job with the recording !!! What I hope for in a recording is to recapture the thrill of a live performance and you do this and more. You have used the cathedral acoustic at its glorious best and eliminated the negative 'woolly' side. I am sure the choir will be thrilled to hear their efforts.' (Berlioz - Te Deum / Todd - Burning Road, Concert Recording, St Albans Abbey)
David Temple, Music Director - Crouch End Festival Chorus & Hertfordshire Chorus
'… it is for me too, a great pleasure and a privilege to work with someone whose standards are so high….. You are fantastic at what you do and I look forward to our future recordings' (Bach/Mozart/Beethoven CD Sessions, Old Granary Studios)
Jill Crossland, Pianist
'Many thanks - I'm thrilled with the quality of the recording which captures the acoustic of the Anvil brilliantly' (Shostakovich - Symphony No. 8, Concert Recording, The Anvil, Basingstoke)
Nicholas Wilks, Director of Music - Hampshire Music Services.
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